Photo Credit ( Pixels )

A classic of Parisian fantasy, Amélie was released more than 20 years ago. The movie has won over many people with its charm and quirkiness, but not without its detractors. Peter Bradshaw’s review effectively conveys the spirit of its extravagant yet enthralling qualities.
Amélie, directed by Jean-Pierre Jeunet, presents an overly idealized image of Paris that seems both timeless and cut off from the city’s contemporary reality. Audrey Tautou plays the role of Amélie Poulain, a young lady managing her own sexual desires and dedicating her life to quietly enhancing the lives of people around her.
Paris is portrayed in the movie more as a fanciful creation than as a representation of its reality in 1997. Jeunet’s Paris seems almost like a virtual reality version of the city, complete with accordion music, sepia-tinted landscapes, and a whimsical tone. It is without modern architecture or McDonald’s.
Despite being visually beautiful, Jeunet’s directing style occasionally comes across as overbearing. The film’s opening act, which centers on Amélie’s early years, works especially well because of its endearing and humorous tone. But as the movie goes on, some critics think the sweetness is a little too much.
Although Tautou gives a very charming performance as Amélie, not everyone will find the film’s charms appealing. For those who love a lot of fantasy and romance, it’s a pleasant experience, but for others, it could feel like an overly elaborate confection.
Amélie presents a unique perspective on Paris and many delightful moments, but it also begs the question of whether its sugarcoated sweetness exceeds its usefulness.utweighs its substance.