Released over two decades ago, Amélie remains a quintessential Parisian fantasy. While the film’s charm and whimsy have enchanted many, it’s not without its critics. Peter Bradshaw’s review captures the essence of its enchanting yet over-the-top nature.
Director Jean-Pierre Jeunet’s Amélie offers a hyper-stylized view of Paris, one that feels both timeless and detached from the modern realities of the city.
Audrey Tautou stars as Amélie Poulain, a young woman who dedicates her life to subtly improving the lives of those around her while navigating her own romantic aspirations. The film’s portrayal of Paris is more of a fantastical construct than a reflection of its 1997 reality.
With accordion music, sepia-tinted vistas, and a whimsical tone, Jeunet’s Paris seems almost like a virtual-reality version of the city, devoid of contemporary elements like McDonald’s or modern architecture. Jeunet’s directing style, though visually appealing, can come off as overwhelming.
The film’s first act, focusing on Amélie’s childhood, is particularly effective with its charming, whimsical approach. However, as the film progresses, some critics find the sweetness a bit excessive. Tautou’s performance as Amélie is undoubtedly endearing, but the film’s charm may not appeal to everyone.
It’s a delightful experience for those who enjoy a heavy dose of fantasy and romance, but for others, it might feel like a confection that’s a bit too rich.
While Amélie offers many enjoyable moments and a distinctive view of Paris, it also raises the question of whether its sugary sweetness outweighs its substance.
